When his mind is idle, he thinks of her.
—What are you thinking about?
—Maths.
If he’s with her, he loses track of time.
—So late to get home, why?
—Maths.
She wants long periods for herself.
—Why are you going away for the weekend?
—Maths.
—Why are you going to Brazil, again?
—Maths.
She doesn’t like the same things I do.
—You didn’t leave the hotel room, why?
—Maths.
She requires him in the middle of the night.
—You left our bed at midnight, why?
—Maths.
She texts him at the movies.
And he writes back.
—Maths.
Math’s a richer lover than I am.
—Who’s going to pay for that Brazil ticket, then?
—Maths.
—And Korea?
—Maths.
—And Denmark?
—Maths.
—And Boston?
—Maths.
—Could I go?
—Can you pay it?
—No.
—Then you can’t.
She’s a powerful lover, Maths.
She gave him a job.
She gave him fame.
She gives him money.
She gets him friends.
I’m just a girl.
And she… she’s Maths.
I’m a bit of a Hobbit. I like to see things grow, little by little. I like routines (and escaping them: but I find them comfy). I like it when I run out of something and I buy exactly the same one again, I get the impression that I was right the first one. My
I’m an artist first and foremost. But people just want to hear about how I make money. It puzzles me, because don’t make that much. I just save beautiful things. Yet above the frustration of bringing something up and out and not seeing it shine like it did on my mind, I’m thankful. My mind
We’re editing together, head to head. It’s a bio, a blurb, maybe something in between. He’s Neil Gaiman, (I know Amanda is behind me, reading something else) and he’s mumbling a bit, as he re-reads the text: words flow until they get stuck. I take it from the place he left off. —I think that what it
Comentarios